This magazine grew from my curiosity about how Chinese and Japanese languages connect, diverge, and carry pieces of history within every character. In the design, I experimented with layouts inspired by traditional Chinese and Japanese book structures — gentle spacing, vertical flow, and a page-turn rhythm that echoes old scrolls and woodblock prints.

It’s a small project, but a very personal one: a blend of language, culture, and the visual style I love, inviting readers to slow down and experience the beauty between the lines.